Monday, August 19, 2019
Christina Rossettis Poetry: Controlled and Passionate Essay -- Cousin
Christina Rossetti's Poetry: Controlled and Passionate      Rossetti's poetry has been described as both controlled and  passionate. Making clear what you understand by the terms discuss  which of these two views you have more sympathy with and why. Refer  closely to at least three of the set poems.    Christina Rossetti poetry uses concise structures but through these  she expresses immense emotion; in this respect her poetry can  accurately described as "both controlled and passionate" yet the two  words are almost a paradox as passion is frequently seen to be at odds  with controlled tight structures. Other poets have also followed in  Rossetti's footsteps by combining tight structured poetic forms with  emotion e.g. Dylan Thomas.    L.E.L is a prime example of Rossetti's technique; it combines a  complex structure with a very emotive outcry. The structure is very  precise with each verse not only rhyming within itself, in an A, B, A,  B, C, C, C pattern, but also within pairs of stanzas containing a  pattern between them on the 5th to 8th lines. The 2nd and fourth lines  provide visually rhyming lines throughout the poem connecting each  verse although when the poem is read aloud the lines do not rhyme  verbally. Rossetti also plays with structures in the poem, beginning  with an elegiac stanza form ("a Quatrain of four iambic pentameters  rhyming A, B, A, B" - Pears Cyclopaedia) before diversifying into her  own version ending with C, C, C. The elegiac stanza form helps  contribute to the passion by setting the tone for the poem while at  the same time Rossetti alters the form to suit her needs showing  creativity within her "control". The latter section of each stanza is  in a different tone relating and contrasting the emot...              ... with more flair in  her earlier poetry, with later works settling into more conventional  forms. Thus it is difficult to decide which argument to have more  sympathy with as both control and passion are constantly intertwined  and also changed as Rossetti grew older.    Work Cited    Rossetti, Christina. The Poetical Works of Christina Georgina Rossetti. With Memoir and Notes &c. Ed. William Michael Rossetti. London; New York: Macmillan, 1904.    Works Consulted    Armstrong, Isobel. 'A Music of Thine Own': Women's Poetry. in: Joseph Bristow, Victorian Women Poets. Emily Bronte, Elizabeth Barrett Browning, Christina Rossetti. Basingstoke and London: Macmillan Press Limited, 1995, 32-63.    Harrison, Antony H. Christina Rossetti in Context. Brighton: The Harvester Press, 1988.    Marsh, Jan. Christina Rossetti. A Literary Biography. London and Sydney: Pimlico, 1995.                        
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